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Natalie Imbruglia - Male (2015) l Audio l Album Track l 320Kbps l CBR l Mp3 l sn3h1t87
DESCARCA TORRENT *** ::::::: Natalie Imbruglia - Male (2015) l Audio l Album Track l 320Kbps l CBR l Mp3 l sn3h1t87 ::::::: ***
Album Name:
Natalie Imbruglia - Male (2015)
Album:- Male (2015)
Artist:- Natalie Imbruglia
Country:- USA
Genre:- Pop, Music, Singer/Songwriter, Contemporary Singer/Songwriter, Rock, Adult Alternative
Rip:- Tracks
Bitrate:- 320Kbps/CBR
Audio Codec:- MP3
Source:- Web
Released: Jul 24, 2015
Label (Publisher):- ℗ 2015 Sony Music Entertainment.
::::: Codec Info :::::
Type: Audio
Codec: MPEG AAC Layer 1/2/3 (mpga)
Format version:- Version 1
Format profile:- Layer 3
Bit rate mode:- Constant
Mode:- Joint stereo
Compression mode:- Lossy
Language:- English
Channel(s):- 2 Channels
Writing library:- LAME3.99r
Total Size: 103.08 MB
Number of files: 16
File Size:- 103 MB
Lenght:- 00:44:41 Min
Tracks:- 13
01. Instant Crush (4:57)
02. Cannonball (3:28)
03. The Summer (3:18)
04. I'll Follow You Into The Dark (3:25)
05. Goodbye In His Eyes (4:26)
06. Friday I'm In Love (3:16)
07. Naked As We Came (2:37)
08. Let My Love Open The Door (3:08)
09. Only Love Can Break Your Heart (2:50)
10. I Melt With You (4:08)
11. The Waiting (3:17)
12. The Wind (2:13)
13. Instant Crush (Radio Edit) (Bonus Track) (3:26)
Biography
Born: February 4, 1975 in Sydney, New South Wales, Australia
Genre: Pop
Years Active: '90s, '00s, '10s
Natalie Imbruglia first entered the spotlight when she starred as Beth Brennan on the Australian soap opera Neighbours in the early '90s, but she became an international star in 1997 when her cover of Ednaswap's "Torn" turned into a worldwide smash. Imbruglia's version is a cornerstone of adult alternative rock, a song whose sensibility is somewhat left of center but whose pretty execution is straight down the middle. Although she didn't manage to land a follow-up of equal magnitude in the United States, she continued to have hits into the mid-2000s in Europe and her native Australia and she also pursued work in film and on television, including appearing as a judge for two seasons on the Australian version of The X Factor. After an extended hiatus, she relaunched her musical career in 2015 with Male, a collection of covers of male singer/songwriters.
Born in Sydney, Australia on February 4, 1975, Natalie Imbruglia first studied dance as a teenager but she soon turned toward acting, appearing in commercials for Coca-Cola and Twisties before she turned 16. She landed her starring role on Neighbours in 1992 and she stayed with the show until 1994, after which she relocated to London with the intention of pursuing a singing career. RCA/BMG signed Imbruglia in 1996 and the label released "Torn" in 1997. An immediate hit in the U.K., where it peaked at two and sold over a million copies, the song soon turned into an international sensation, reaching the Top Ten throughout Europe and Australia; although it only reached 42 on the Billboard Hot 100 in the U.S., partially due to no CD single of it being released in the States, it earned steady airplay on adult contemporary and modern rock radio, staying on the charts for weeks. Over the years, "Torn" remained a radio staple throughout the globe, breaking records in Australia and the U.K. in particular. Driven by the success of "Torn," Imbruglia's full-length 1997 debut Left of the Middle was also a success, selling over six million copies worldwide and earning platinum certification in the U.K. and double platinum in the U.S. Subsequent singles pulled from the album weren't as popular as "Torn" — none of them charted in the U.S. — but "Big Mistake" reached the Top Ten in both the U.K. and Australia, while "Wishing I Was There" reached 19 and 24 in the U.K. and Australia, respectively.
Imbruglia returned with her second album, White Lilies Island, in November 2001. Supported by the singles "That Day" and "Wrong Impression," the album performed respectably in the U.K. and Australia — both countries would certify it gold — but it was a commercial disappointment in the U.S. Imbruglia recorded a third album for BMG in 2003 but the label didn't choose to release the record. She and BMG parted ways in 2004, and she signed with Brightside Recordings, who released Counting Down the Days in 2005. Its first single, "Shiver," went to number eight in the U.K., her biggest hit since Left of the Middle, and the album would be certified gold in Britain. A compilation called Glorious: The Singles 97-07 followed in 2007, and then she separated from Brightside, signing with Island for the 2009 album Come to Life. Containing contributions from Coldplay's Chris Martin, Brian Eno, and Daniel Johns, it was a splashy, ambitious affair but it didn't make waves in either Australia or the U.K. In 2010, Imbruglia joined the Australian version of The X Factor as a judge; she also appeared in the U.K. version in a guest capacity. A few film roles followed in the next few years, and then in 2014 she appeared in a production of the Alan Ayckbourn play Things We Do for Love. After a six-year hiatus, she returned to music with Male, a collection of covers by male singer/songwriters that marked her first album for Sony Masterworks.
Album Review
Returning from an extended absence — she hasn't made an album since 2009's Come to Life and hasn't seen a record released in the U.S. since 2001's White Lilies Island, which was the sequel to her 1997 blockbuster Left of the Middle; a long time gone, in other words — Natalie Imbruglia lands upon an interesting concept for her comeback: take 12 songs written by male singer/songwriters and recast them as feminine. For Imbruglia, this means reviving the hazy focus of her global blockbuster "Torn," a feel created with soft, strummed guitars and clear vocals, a sound that suits a middle-aged singer as comfortably as it does a young one, perhaps even a touch better. Although Male shamelessly evokes Left of the Middle — the cover itself looks like something of a sequel — Imbruglia takes pains to show that she's listened to recent music. Not only are there covers of Daft Punk, Death Cab for Cutie, and Iron & Wine, but she grafts a Mumford & Sons folk-stomp onto the Cure's "Friday I'm in Love," then gently pushes Tom Petty's "The Waiting" toward a tapped folk rhythm. Everything is so sweet and light, it's difficult to discern whether Imbruglia's choice of songs is meant to convey something greater than that these are a bunch of nice tunes. Certainly, the concept of Male suggests there might be a conceptual undertow to the album — Imbruglia finding the femininity in masculine writers — but Imbruglia chooses songs where sexuality is incidental; these are love songs that are easily retooled for the opposite sex. This safety in song selection and production means that Male certainly doesn't have the bite of Tori Amos' 2001 album Strange Little Girls, a record that wears its sexual politics proudly, but Imbruglia has never been an ambitious artist: she's always been a sweet, pleasant crooner and Male plays to those very strengths.
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