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Underground (Emir Kusturica 1995)
Title: Underground (aka "Bila jednom jedna zemlja"
Director: Emir Kusturica
Year: 1995
Language: Serbo-Croatian
Subtitles: English, German
cd1:
File Size (in bytes): 734,074,880
Runtime (# of frames): 1:25:11 (127,764 frames)
Video Codec ...........: XviD
Frame Size ............: 608x336
FPS ...................: 25
Video Bitrate .........: 950 kb/s
Bits per Pixel ........: 0.186 bpp
Audio Codec ...........: 0x2000 (Dolby AC3) AC3
Sample Rate ...........: 48000 Hz
Audio bitrate .........: 192 kb/s [2 channel(s)] CBR audio
Interleave ............: 96 ms
No. of audio streams ..: 1
cd2:
File Size (in bytes): 734,775,296
Runtime (# of frames): 1:17:56 (116,889 frames)
Video Codec ...........: XviD
Frame Size ............: 608x336
FPS ...................: 25
Video Bitrate .........: 1058 kb/s
Bits per Pixel ........: 0.207 bpp
Audio Codec ...........: 0x2000 (Dolby AC3) AC3
Sample Rate ...........: 48000 Hz
Audio bitrate .........: 192 kb/s [2 channel(s)] CBR audio
Interleave ............: 96 ms
No. of audio streams ..: 1
AMG review:
An unpredictable black comedy with an epic scope, Emir Kusturica's highly acclaimed Underground takes a look at the modern history of Yugoslavia through the often absurd misadventures of two friends over several decades. The film begins in Belgrade in 1941, establishing the friendship between the gregarious Blacky and the more intellectual Marko during a drunken, late-night musical procession that establishes the riotous tone to follow. Fellow members of the Communist Party, the friends also share an involvement in shady business activities and an attraction for a beautiful actress. Soon, the chaos of World War II forces them to take refuge in an underground shelter with a variety of other townspeople. Years pass and the war ends, but Marko and the actress trick the others into believing that the war is still going on. Kusturica turns this inherently absurd premise into a vibrant portrait of the contradictory, foolish nature of war. Winner of the Palme d'Or at the 1995 Cannes Film Festival, the film received great acclaim on the festival circuit but had a hard time securing a release in the United States.
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