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Some heroes are made when they rise to the occasion. Others build their reputations over time. This latter case is the subject of Fable: The Lost Chapters, a game in which you get to vicariously experience the life of an archetypal fantasy hero, and, in some respects, decide what eventually becomes of him. Originally released for the Xbox last year, Fable was one of the most highly anticipated games since the Xbox's debut, and the latest title overseen by visionary game designer Peter Molyneux since 2001's innovative Black & White. Like that game, Fable invites you to solve problems either by being good or by being evil, and to watch as the effects of your decisions gradually take a noticeable toll on your persona. Fable also features a number of novel elements, such as how your hero's appearance gradually changes with age, and how villagers respond differently to him depending on his reputation, looks, and other factors. These elements serve to significantly differentiate a game that's actually pretty straightforward in terms of how it plays. Beneath the surface, Fable is a well-put-together but standard action adventure, primarily consisting of lots of basic combat and running from point to point. Mind you, this is a decidedly great game, all in all. Its most interesting, riskiest features may lie at the fringes rather than at the core--but they're there.
You become a battle-hardened hero over the course of Fable.
If you're familiar with the Xbox version of Fable, you'll find that Fable: The Lost Chapters is essentially the same game, though it's been tuned to work well for the PC and gains a significant amount of new content. That is, the 12 months since the release of the original apparently were well spent--this game isn't any worse for wear today. The new Lost Chapters storyline picks up immediately following the conclusion of the original Fable's main quest, challenging you to explore the treacherous north of the world of Albion, and conquer a great threat lurking there. Featuring new places to explore, new items to find, and new monsters to fight, plus lots of new dialogue and cutscenes, the additional content of The Lost Chapters is at least as good as that of the original game, and it blends in seamlessly with the rest. It's like getting an expansion pack together with the original game, and The Lost Chapters helps address one of the original Fable's problems, which is that it was quite short. Fable veterans will of course need to play through the game again in order to get to the new stuff, and the additional quests amount to only a few more hours of gameplay, if you play straight through them. So while fans will surely enjoy the new content, it isn't necessarily enough to justify getting a second copy of the game. And if you're new to Fable, you'll be better off for all the stuff that's been added. Other than the new content, Fable's controls and presentation have been translated very well to the PC, to the point where the game barely shows its console roots.
You begin Fable as a young child, and it's here that you're introduced to the game's moral alignment system, its sense of humor, and its dark edge--as well as its basic controls, which will be mostly intuitive if you've played other third-person perspective games recently. Your first order of business is to earn a few gold pieces with which to purchase a birthday gift for your sister. Whether you make the money by being helpful or by making trouble is up to you. This initial choose-your-own-adventure-style sequence is quite impressive in the amount of freedom and variety it affords you, and it suggests that Fable will constantly challenge you to make moral decisions like the ones presented early on. For example, will you help a little kid fend off a bully, or will you join in on the bullying (or beat them both up)? These decisions are so ethically basic that they're not at all difficult to make, but it's still interesting to see how the game plays out depending on what you do. You'll discover, though, that Fable's introduction is not reflective of most of the game's quests, which don't give you many choices. At any rate, soon after you complete your first main task, something sinister happens. Fortunately for your young character, he is saved by an enigmatic man who transports him to the Heroes' Guild, where he is to be trained to become an adventurer.
How you treat the populace of Fable's world of Albion is your decision to make. Whatever you do, it can be interesting to observe their reactions.
Cut to your hero's teenage years. At the Heroes' Guild, you're instructed on how to fight with melee weapons, a bow and arrow, and the powers of will--otherwise known as magic. All three of these fighting styles are relatively simple to use, but they work well. It's possible to lock onto nearby targets, and you can switch between ranged and melee weapons easily. Melee combos are unleashed just by left-clicking repeatedly. Some foes will block your attacks, but you can penetrate their defenses either by maneuvering behind them or by using a slower, stronger, unblockable strike that becomes available after every few normal strikes. Archery works similarly but is more methodical--the longer you press and hold the attack button, the more fiercely you'll draw your bow, resulting in significant damage per hit. Actually, archery may not seem altogether practical in Fable. It can be plenty effective, but since you'll be fighting most foes single-handedly, and most of them will quickly close the distance between you, toe-to-toe combat proficiency will seem like the obvious first choice. A few flying enemies will require you to put your unlimited arrows to good use, though.
Magic is unquestionably valuable in Fable. You'll start off with a simple lightning attack, but you'll be able to spend experience points on more than a dozen other different spells (and upgrades to those spells). There are spells that do such things as temporarily boost your strength and speed or temporarily cause time to slow down all around you, letting you easily outmaneuver foes. (Descriptions of these spells make them sound very useful, and, in fact, they are.) Magic is a little awkward to use at first: You need to hold down the shift button to access your spells, then you have to use your mousewheel to cycle through your available spells, if you have more than a couple. But this is easy enough to get used to, and worth getting used to sooner rather than later, because magic helps make Fable's frequent battles pretty easy, for better or worse.
You'll face a fairly diverse variety of foes during the course of the game, some of which will seem reasonably smart. Bands of bandits will fire on you with crossbows, switch to swords as you approach, and attempt to flank you. Undead will spring right out of the ground underneath your feet. Creatures resembling werewolves will lunge at you from all directions. Yet all these foes can be defeated handily in groups, using the same types of tactics. Fable's combat has a pretty good, solid feel to it as you wallop your foes with swords, axes, maces, crossbows, and more. But the combat isn't really a challenge once you inevitably figure out a few key tricks. Items that quickly or instantly restore your health will be available in copious supply, letting you recover your energies in a pinch, even in the midst of battle. You'll also probably end up hoarding numerous "resurrection phials," which automatically restore all your health should you be struck down. Once you learn Fable's controls and figure out its fairly complex leveling-up system, you'll have overcome its greatest challenges.
The game's moral alignment system is intriguing, but isn't particularly deep.
Of course, you won't be fighting hordes of foes while you're still training at the Heroes' Guild. After the training is complete, you're invited (rather awkwardly, via an onscreen prompt) to continue on to your hero's adulthood, the time during which the vast majority of Fable takes place. You can get through the younger years in about an hour, and the rest of the story is fairly brief and will take you maybe 10 or 12 hours on your first run, including the content of The Lost Chapters--that's if you ignore a few available side quests, though these don't pad the game's length much further. Fortunately, Fable's world is sprinkled with little hidden secrets--collectible special keys, talking demon doors challenging you to open them up in some obscure fashion, concealed treasure chests, and so forth--and these give the game some additional lasting value. Ironically, though, there isn't a clear incentive to play through the entire game over from scratch once you've finished it the first time. Yet, however you choose to spend your time with the game, you should be able to squeeze a good 20 to 30 hours out of it when all is said and done.
Fable's storyline, which is punctuated by an elegant sequence of paintings showing your hero's latest exploits, is mostly linear and starts slowly, after you get past the childhood prologue. Past the halfway point, it actually becomes fairly involved, since its few key characters become relatively fleshed out. However, the hero himself remains silent during all the proceedings, and all the moral decisions you've made have little effect on what happens or how it happens. The game does have multiple endings, depending on your morality and the ultimate decisions you make, but each version of the epilogue is very brief, and it's fairly easy to see the numerous different alternatives without having to play through the game from the beginning. This is partly because your character's morality can be reversed just by visiting one of two different locations in the game, respectively devoted to a good and an evil god.
All you need to do is pay a hefty donation and your evil or good deeds will be negated--and, toward the end of the game, you should have plenty of money to spend. The inclusion of these temples seems somehow unfortunate, as they can undermine the deliberate process through which your character's nature normally emerges. Furthermore, the fact that you may continue exploring the game's world of Albion even after you've finished the main storyline means that you'll be able to see most of what Fable has to offer without having to restart. Part of the appeal of role-playing games that purport to let you live by the consequences of your actions is that they offer significant replay value. However, that's not necessarily true of Fable, though the game does have lots of interesting peripheral content to explore on your first go-round. The thing is, you might miss it if you simply follow Fable's main quest, finish it, and reckon you're done. If that happens, you'll have experienced a quality action adventure game, but you will have missed out on most of what makes Fable special.
It's fun to see your character develop as you play. You can get a nice close-up look at the hero at any time at the touch of a button, and you'll see him visibly age and transform in other ways during his adulthood. It's possible to adorn your hero with different hairstyles and tattoos--which don't have much impact on gameplay (as you'd probably expect), but may nonetheless cause certain villagers to respond to you differently. Your clothing or armor can have a similar effect, but the most interesting visual changes to the hero occur as a result of your moral choices. Act evilly, and soon enough you'll sprout horns, walk with a hunch, and gain blood-red eyes; act like an angel and you'll gradually gain a divine aura around you. There's a dramatic range of appearances possible for your main character, and even though the variations are mostly cosmetic, it's still very impressive. Your character even becomes weathered and scarred from constant battle.
You may choose to take certain dares before you go questing, but regardless, your adventures in Fable won't be too much of a challenge.
There are other aspects to Fable's personalization system worth noting. Your alignment will gradually give you access to various social gestures--a nasty insult if you're evil, or an apology if you're good, for instance. The Lost Chapters adds more on top of the original game's options. Using these in civilized settings yields results that are, at least, frequently funny. Ultimately, there really isn't much to character interaction in Fable. However, gesticulating in various ways and watching as villagers react differently to you based on your attire and reputation can be entertaining for a while. So can a few different tavern games available at the drinking establishments in Fable's handful of villages. The extracurricular activities don't stop there: You may also get married (and divorced), which is another fairly basic process that leads to some amusing results; expect your spouse to have some choice words for you whenever you change your appearance. You may purposely or inadvertently commit all kinds of different crimes while in town, from brandishing a weapon to breaking windows to shoplifting, and the guards will come looking for you if you do--you can pay a fine, flee, or try to fight them. There are other nice little details here and there. As day turns to night, villagers will light street lamps and shutter their doors. Taverns are always bustling with customers. The way the game's nonplayer characters act and respond to you eventually becomes pretty transparent, but messing around with them as though this were a virtual ant farm can be rewarding.
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