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Forum Romania Inedit / Filme clasice - Old Movies / Fighting Elegy (Kenka Erejii) Moderat de 80Inanna, Silva, bibescu, bronson
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Fighting Elegy (Kenka Erejii)
DVD-Rip | AVI 640 x 272 (40:17) XviD | Audio: 48000 Hz, 81 Kbps Mono | 718 Mb | 1h:26min
Genre: Action, Comedy, Drama | Studio: Janus Films | ASIN: B0006HC0F0 | Color: Black and White
IMDB: 7.5/10 | Director: Seijun Suzuki | 1966 Year | Language: Japanese | Sub: English

Actors: Hideki Takahashi, Yusuke Kawazu, Takeshi Kato, Isao Tamagawa, Kayo Matsuo

“The first time around, I was a little lost on this one. I didn't have the proper knowledge of its historical context. The Criterion liner notes are a big help. I just wish I had read them more recently. This is a satire of the militaristic attitude that eventually lead Japan into WWII. I remembered it being a comedy. It does have its comic moments, mostly involving Kiroku's uncontrollable erections, but it is rather serious in tone. Well, that's even a little weird. Suzuki is able to create a remarkable balance between the film's serious themes, its action sequences, as well as its comic touches. All the while, he creates a film of outstanding imagery, gorgeous cinematography, and artful editing. To think, Suzuki Seijun had probably no ability to choose which films he made. He was a bit lucky to land this one, though, as it was written by Kaneto Shindo, who had to be hot stuff after having already directed both The Island and Onibaba (though I wouldn't know how those films were received in Japan). This is one of only two Suzuki films that stand outside of the yakuza genre, so here (and in Story of a Prostitute) he was able to deal with deeper themes than normal. But anyway, Suzuki had little control over what material he was to direct, one way or another. I find his ability to create great art infinitely more impressive than any number of cinematic artists who had more or less complete control over their own work. It would be utterly wrong not to include Suzuki in the pantheon of the world's greatest film artists.” – IMDB.com

“One of the classics themes of Japanese literature is the way of Koha, the “Hard School”. A path of absolute masculinity, Koha requires absolute repression of sexual desires and avoidance of “weak” women, who are distractions from what make a man a man. Men are forged through intense, focused martial arts training and constant fighting to harden the warrior's soul. The way of Koha can be found is such seminal Japanese works as Mishima's “The Sailor Who Fell From Grace With the Sea”. Seijun Suzuki thinks this is pretty funny.
“Fighting Elegy” (“Kenka Erejii”) is a sharp parody of Koha, taking a cynical look at the culture of boys in Japan, where the slogan “Boys be Ambitious!” can be heard shouted by mothers to their male children. All of the standards of a Koha flick are here; Kiroku Nanbu, the young upcoming tough with more spunk than ability. Turtle, an upper-student who becomes Kiroku's mentor in the ways of fighting. Michiko, a beautiful Catholic school girl who seeks to reveal Kiroku's soft side and lead him into love and marriage. Kiroku's inner battle between his lust for Michiko and his loyalty to Turtle is captured in the climatic line “I don't masturbate, I fight!”
Under Suzuki's directorial hand, this mockery of Koha is both hilarious and insightful. The military culture of WW II is one of the legacies of Koha, and “Fighting Elegy” takes place in a Japan on the brink of the Martial Law of 1935. Suzuki takes the fangs out of this ultimately destructive philosophy. One of his two non-Yakuza films (the other being “Story of a Prostitute”), it is nice to see Suzuki tackle this politically-charged topic so capably.” – Customer Review on Amazon.com


“Product Description: High schooler Nanbu Kiroku yearns for the prim, Catholic Michiko, but her only desire is to reform Kiroku's sinful tendencies. Hormones raging, Kiroku channels his unsatisfied lust into the only outlet available: savage crazed violence. “Fighting Elegy” is a unique masterpiece in the diverse career of Seijun Suzuki, combining the director's signature bravura visual style with a brilliantly focused satire of machismo and fascism.” – Amazon.com


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